5/6/25

Brut Classic (Fabergé/Unilever)


My bottle of Brut Classic by "Fabergé" is the 1990s formula that was only sold from circa 1989 to circa 2000, after which point Unilever sold the North American license exclusively to Helen of Troy/Idelle Labs. I had never smelled this formula of Brut Classic until recently, having only owned several bottles of the 2000s stuff, which I was always a bit wary of. I'd spent years hearing older guys reminisce about how the current Classic smells like the original stuff from the 1960s, but I always questioned it. The fragrance smelled much better than the plastic bottle version sold in drugstores, but I felt it lacked something and seemed suspiciously thin in the drydown, a wispy white musk and powder vibe. 

The first five minutes of Fabergé's Classic smells very similar to the Idelle Labs reformulation, but the main difference that jumps out at you (if you have experience with the newer stuff) is that the vintage version has way more depth in its lavender and geranium accord, with brighter, mintier aromatics, and a sort of sparkling quality to the citrus and greens. The stearyl acetate accord really glows in Unilever's older version of Classic, and as it dries down the lavender remains lucid, guiding me through an array of powdery white florals and into a musky sandalwood and patchouli base that smells classy and overwhelmingly "adult" and sophisticated. Wearing it, it's hard to believe Brut was once the "cheap cologne" that anyone could grab at a Woolworths or K-Mart. Its projection exceeds the safety zone of three feet by at least another three, and its longevity is nuclear at 15 hours plus. Classic indeed, especially when you consider my bottle is the cologne and not the eau de toilette spray that was also available at the time. The Idelle Labs formula doesn't come close to touching this one in quality or strength. (The Parfums Prestige formula, also Unilever, is a different story.) 

It's interesting that Unilever kept the Fabergé marquee going for another decade after it was all but moot to associate the name of a Baltic jeweler with an inexpensive American barbershop scent, but I guess when a British multinational firm of its size buys something as iconic as Karl Mann's 1964 fougère, the incentive to maintain is there. Of note to me is how their post-'89 formula doesn't smell the least bit cheap or simplistic -- there's quite a stew of notes at work, and all of them smell sprightly, dimensional, and, for lack of a better word, solid. It stands apart from its powdery post-shave brethren, reminding me more of Trumper Wild Fern than Pinaud Clubman. If you have the cash, I say get this.