
9/29/11
Antaeus (Chanel)

9/28/11
Medicine Cabinet: A Tale of Three Aftershaves





Paris Jardins Romantiques (Yves Saint Laurent)

Patrick (Fragrances of Ireland)

9/27/11
Clubman Aftershave-Lotion (Pinaud)

Rose (Czech & Speake)

Quorum (Antonio Puig)

9/25/11
Signature for Men (Max Factor)

Pour un Homme (Caron)

9/24/11
Z-14 (Halston)

1-12 (Halston)

Aspen (Coty)
9/23/11
Habit Rouge (Guerlain)


Green Irish Tweed (Creed)
After spending a good amount of time stinking up the fragrance community, I’ve noticed something curious: no one seems to want to review Pierre Bourdon's baby anymore. Why? Maybe it’s review fatigue from all the chatter on forums like Basenotes. Perhaps people think reviewing it is beneath them. It's amusing when well-known bloggers like The Candy Perfume Boy or Abigail from I Smell Therefore I Am downplay Creed’s importance, as if admitting it’s one of the best fragrance houses of their lifetime would somehow undermine their credibility. (Spoiler alert: it wouldn't.)
But let’s be clear—Green Irish Tweed is the fragrance that really put Creed on the map, long before Aventus. That’s right, Aventus fans, GIT did it first, back when people used actual fold-out maps. As for the scent itself, I like it, though I wouldn’t say I love it. Its refreshing mix of violet leaf, sandalwood, lemon, iris, and ambergris makes it the perfect companion for a rainy autumn day. There’s a nice interplay of Parma violet and iris notes that give it lushness and shimmer, reminiscent of Grey Flannel, but smoother and a touch fruitier. It's lovely, but I wish it had a wee bit more of a bitter chypre feel.
The secret to GIT’s appeal lies in dihydromyrcenol, which gives it that semi-sweet, semi-green (more purple, really) freshness. Its unique blend of florals and creamy sandalwood creates a smooth, slightly synthetic chill that’s often mistaken for an aquatic note. It’s not traditionally "green," but that’s what sets it apart. In my view, Olivier Creed had a big hand in crafting GIT, alongside Pierre Bourdon. Their collaboration produced a timeless fougère, blending lemon verbena, powdery iris, and ambergris into an elegant and understated fragrance that’s perfect for any occasion. Maybe a bit too perfect, even. Personally, I prefer the more rustic, coarse-green blend of Grey Flannel, but to each his own.
9/22/11
Kouros (Yves Saint Laurent)


Red Jeans (Versace)


9/21/11
Eau de Grey Flannel (Geoffrey Beene)
Grey Flannel (Geoffrey Beene)
Over the past decade, niche perfumery has soared to prominence on the global stage. This trend concerns me, as most niche fragrances are so expensive that you'd need to refinance your home or forgo college for your kids to afford them. In my experience, niche scents often outshine their mainstream counterparts due to their complexity and high-quality ingredients. Ideally, I’d ditch shopping at Marshalls and fill my collection with Creed and Czech & Speake for life. But that dream hinges on winning the lottery.
Thankfully, there’s a mainstream masculine fragrance that rivals niche quality at just $15 for a 4-ounce bottle. Grey Flannel is a modern marvel, crafted by André Fromentin in the early 1970s. He masterfully tackled one of perfumery’s toughest challenges: reconstructing the delicate violet note. When Grey Flannel debuted in 1976, its bold violet and violet leaf accord was both ethereal and unconventional, standing out against the era’s dominant leathers and heavy orientals. The original formula thrived through much of the 1980s but was discontinued in the early 1990s, a loss many considered tragic.
Yet, the story didn’t end there. In 1996, Grey Flannel was reformulated and re-released. Reformulations often dilute a fragrance’s soul; oakmoss and white floral materials have been increasingly restricted in modern takes on 1970s chypres. But Grey Flannel’s revival was different. Advances in aroma chemicals allowed perfumers to refine the violet accord, smoothing out its once-harsh, overly "perfumey" edge. Complemented by citrus and moss notes, the reformulated violet accord was given room to shine, resulting in a more balanced and sophisticated scent.

Elizabeth Arden Fragrances, the current producer of Grey Flannel, lists a complex note pyramid brimming with spices, florals, and woods. Yet, to my nose, this chypre’s essence lies in its elegant simplicity. The opening unveils a parched lemon accord, setting a crisp and austere tone. As the citrus recedes, a moss-laden violet leaf emerges, accompanied by the delicate, powdery allure of violet flower. This floral heart avoids the saccharine excess of many modern feminine fragrances, retaining a bitter and verdant edge. Fromentin clearly employed a sizable slug of coumarin to achieve the agrestic beauty of this accord, a very smooth and sugar-free woodsy sweetness, but I don't view Grey Flannel as a fougère. Coumarin is used for texture and depth, but is masked by the greens and isn't meant to be an obvious component of the structure. The composition is anchored by a subtle backdrop of coriander and oakmoss, which lingers through the drydown, leaving a refined trace of moss close to the skin.
Furthermore, whatever lavender might be in the herbal mix is utterly lost to the bone-dry citrus accord that permeates Grey Flannel from top to base. It's this citrus that hearkens closer to bergamot, and the resinous mossy base to labdanum, even though, again, no labdanum. In feel and in spirit, this is a chypre. I suppose one could plausibly argue that it's a dyed-in-the-wool fougère, and that's fine by me. I don't care -- I just want people to know that if they've never smelled Grey Flannel before, and they're blind buying it, don't expect your typical vintage fern here. Get familiar with mossy chypres instead, and you'll be better prepared for what Beene was offering to men in department stores fifty years ago.
Grey Flannel feels like the closest I’ll come to perfumery’s Holy Grail. Its simplicity, freshness, and vibrant green character are unmatched, especially at its modest price of $15 for a 4-ounce bottle. Few fragrances rival its understated brilliance, though I suspect Pierre Bourdon drew inspiration from it when he crafted Creed’s Green Irish Tweed a decade later. Some might note a faint “soapiness” reminiscent of the 1970s chypre era, but this quality is less a flaw than a nod to its heritage. Grey Flannel offers the rare freedom to embrace floral notes without compromising masculinity. Spray it on with a suit, and you’re ready to conquer the day with confidence and sophistication.
When the aliens arrive to rescue our weary planet, you can keep your niche fragrances. I’ll be boarding the mothership with my bottle of Grey Flannel.
9/20/11
In Defense of Masculines


