12/13/12

Calvin Klein Man (Calvin Klein)

Calvin Klein has never been a serious fragrance powerhouse. Aside from Obsession for Men and CK One, their lineup has mostly been good rather than great, often relying on heavily synthetic compositions that attract youthful generations who eventually outgrow the brand. I see the house as one that "goes with the flow" rather than make its own waves. Truth for Men, CK One Shock for Him, and Beauty are fine examples of reinterpreting popular trends rather than setting them, and the fact that these fragrances often appear in the discount bing at rack stores doesn't help. For years, I assumed Calvin Klein Man was just another forgettable and entirely synthetic college boy's scent that wasn't worth trying. Without ever smelling it, I dismissed it outright.

Then I tried it, and to my surprise, liked it enough to buy a bottle. The packaging did nothing to raise my expectations: the box is uninspired, with a black field, silver frame, and pencil-thin sans serif font, all cliché minimalism, a throwback to CK One/Be. The scent itself is far more complex than its online note pyramids suggest, functioning almost like an essay on masculine perfumery since the mid-1980s, with nods to Green Irish Tweed, Cool Water, Fahrenheit, and even old Bay Rums, with hints of Green Valley and Sport Field. It opens with peppery violet leaf, bay leaf, rosemary, and a green-spicy element likely to be cypress, quickly shifting to nutmeg, violet leaf, violet flower, and mellow hawthorn, reminiscent of Fahrenheit but gentler. In the base, nutmeg still lingers against a milky guaiac wood accord to keep the spice in check. Guaiac wood is the star here, rosy, winey, and slightly green, adding depth and preventing the composition from feeling hollow. Without it, Man would lose much of its richness.

The drydown is basic: clean white musk, a hint of sandalwood, and a trace of hawthorn, lasting about five hours, which is impressive for the brand. It avoids the overplayed woody amber style of most modern masculines, instead opting for an offbeat sweet floral profile that feels confident without overreaching. There is a clear homage to Dior here, but strangely, I would rather wear Man than Fahrenheit. If you see it at Marshalls for under thirty dollars, buy it. It is one of the nicest contemporary Calvin Klein scents for men and proof that sometimes the most overlooked bottles deserve a second chance.