Davidoff is a quality brand with several masterpieces under its belt, most of which are on the masculine side of the aisle. Most of their feminine offerings are simply not as good. Cool Water Woman was a tepid fruity-floral that was amiable enough in 1996, but now smells a little cheap and flat. That it garnered many flankers is unsurprising, but Sea Rose (2013) is arguably the most banal of them all.
It smells rather like the original CWW in the first minute, an overexposed and very shrill accord of sour citrus and super-synth pear, which is blended into the familiar "aqua" notes of Calone-like nineties molecules that no longer interest people. Think of any shampoo marketed to middle-class, middle-aged women. It takes about five minutes for the off-notes (alcohol, bare aldehydes) to dissipate, and then the fruitiness resolves into something akin to rosy peony. Frankly, I find it a bit weak, dry, and nondescript, like a unisex sport fragrance. But heck, the pink packaging is as girly as it gets.
At the eight hour mark the floral element vanishes, and all that remains is a laundry musk that leaves your shirt and skin smelling clean. So, yeah . . . boring. I can appreciate what Aurelien Guichard was going for here, and imagine his perfumery brief had a very limited budget. But Sea Rose is the olfactory equivalent of an airplane movie: mindlessly amusing, forgotten immediately upon landing.