The 2000s was the decade of the Be Delicious range by Donna Karan, under her rack store DKNY label. I remember the first two Be Delicious frags when they appeared on shelves in 2004 (one feminine, one masculine), but I could not keep up with the endless onslaught of little glass apples. They weren't really flankers, they were simply perfumes in a uniform line, all sharing the same aesthetic, all eschewing a unique identity. They were perfumes for people who don't want to think about perfume, but would rather just spritz on some random fruity floral, and be done with it. If it's pink, all the better.
Fresh Blossom (2009) was aimed at the Japanese customer, who prefers soft and coy over big and bold. This is an example of that, a lite puff that barely registers, even after generous application. There's a wan but transpicuous apple and peach top note, followed by six or seven hours of greenish apple blossom and peony, over a base of (stifles a laugh) "woodsier" Honeycrisp and Red Delicious accents, which is really just more of the same silky-pink organza wispiness. It's polite, you can wear it in close quarters without offending anyone, it smells a lot like expensive shampoo, and it's as fresh as it gets without going full-bore aquatic. If there is some platonic ideal of cleanliness, it's Fresh Blossom.
My girlfriend hasn't commented on it, although it reminds me of Bond's Chelsea Flowers, which she says smells "perfumey," her way of saying it's too loud. But Fresh Blossom has the timbre just right. It's present and accounted for, but easy to ignore. Freshness, shower-gel soapiness, transparency, all of these qualities make for a fragrance that your girlfriend can tolerate sitting next to you on a love seat. Women enjoy wearing this stuff, but in my experience, they prefer it on their boyfriends instead. Freshness rules.